In the early 1950s, John Hubley was prospering animator with the upstart UPA studio (a creative group that essentially redefined animation and character design, breaking from the flowing realist look of Disney and allowing for sharper angles and greater stylization). Yet, at the height of his achievements, Hubley was singled out by the House Committee on Un-American Activities as a Communist. Although Hubley himself adamantly denied the charges, he refused to point the finger to someone else, and so was ousted from the studio and blacklisted.
This is actually the beginnings of a wonderful story, and from this point in his career, Hubley began to work with his wife Faith to create independent animations that spoke from, and to, the heart. Several of these films became Academy Award nominees, and Academy Award winners as well.
Beginning in the mid-'50s, the husband-and-wife team of John and Faith Hubley broke new ground in animation with their explorations of complex ideas, cutting-edge graphics, and jazz soundtracks. When jazz was still largely marginalized as an art form in America, the Hubleys worked with Quincy Jones, Dizzy Gillespie, Benny Carter, Ella Fitzgerald, Oscar Peterson, and Lionel Hampton. For visual inspiration, they looked to the paintings of Picasso, Matisse, Miro, Klee, and Modigliani. Their short films are very different from Hollywood cartoons.
The Hubley films are adult in the best sense of the word: not sexually explicit or gruesomely violent, but thoughtful, imaginative reflections on serious themes.
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